The artistic practice of nataliadomínguez (Jerez de la Frontera, Spain, 1990) makes use of installation, sculpture and sound to delve into the material and affective relations that take place in our contemporary post-industrial landscapes, unravelling systems of meaning and relational networks between the subject and the object.
Her projects think the present as a consequence of a series of oppressive and extractive conditions produced by human action, focusing on the power relations that permeate our bodies.
From a speculative position, her works generate transitory spaces and fluid conditions from which to explore the subtle, contradictory and vulnerable relationships between living and nonliving. In this way, her work explores ways of representation for those physicalities complicated to be contained -whether in physical, conceptual or ontological terms-, while exploring the nature of those objects whose materials are made to last beyond human existence, making evident how our system of life implies the end of life itself.
Check the complete CV here
TEXTS Y CATALOGUES
— Una intensa vibración desdibuja sus contornos. Blanca del Río (2023) [only in Spanish]
— Abrir la boca bien grande, cerrar el puño bien fuerte. Catalogue. Fundación Arranz Bravo (2023)
— Untitled. Sonia Fernández Pan (2023)
— Aigua sobre pols (agua sobre polvo). Caterina Almirall y Margot Cuevas para SWAB Ephemeral (2022)
— LAYERS that with layers, memory, and clusters of nimbuses. Relatoría PARATEXT #43 por Núria Nia (2020)
— Introducción a la leyenda del artista. Journal of Arts and Visual Culture Magazine n.1 (2018) [only in Spanish]
— Greetings to the audience. Catalogue. Programa INICIARTE (2018)
— ¿Estamos solos en el espacio? Regina Pérez Castillo. PAC (2018) [only in Spanish]
— La colección del Sur. CEC (2018)
— Puertas abiertas 2017. Fundación BilbaoArte (2017)
— XIX Mostra d’Art Públic. Universidad de Valencia (2017)
— En proceso. FACBA16. Universidad de Granada (2016) [only in Spanish]
— El recuerdo de una conversación entre Natalia Domínguez y Javier Velasco (2015)
— El ranchito 2014. Matadero Madrid (2015)
— PAM!14. Universidad Politécnica de Valencia (2014)
— La indiferencia estética de lo invisible. Marisol Salanova in Confesiones (Catalogue). Sala d’Arcs. Fundación Chirivella Soriano (2014)
— Si no todas las armas, los cañones. El Ranchito Madrid / Sao Paulo (2014)
— alRaso en Palacio. Sala Condes de Gabia, Universidad de Granada (2014)
— FACBA13. Universidad de Granada (2013)
The artistic practice of nataliadomínguez (Jerez de la Frontera, Spain, 1990) makes use of installation, sculpture and sound to delve into the material and affective relations that take place in our contemporary post-industrial landscapes, unravelling systems of meaning and relational networks between the subject and the object.
Her projects think the present as a consequence of a series of oppressive and extractive conditions produced by human action, focusing on the power relations that permeate our bodies.
From a speculative position, her works generate transitory spaces and fluid conditions from which to explore the subtle, contradictory and vulnerable relationships between living and nonliving. In this way, her work explores ways of representation for those physicalities complicated to be contained -whether in physical, conceptual or ontological terms-, while exploring the nature of those objects whose materials are made to last beyond human existence, making evident how our system of life implies the end of life itself.
Check the complete CV here
TEXTS Y CATALOGUES
— Una intensa vibración desdibuja sus contornos. Blanca del Río (2023) [only in Spanish]
— Abrir la boca bien grande, cerrar el puño bien fuerte. Catalogue. Fundación Arranz Bravo (2023)
— Untitled. Sonia Fernández Pan (2023)
— Aigua sobre pols (agua sobre polvo). Caterina Almirall y Margot Cuevas para SWAB Ephemeral (2022)
— LAYERS that with layers, memory, and clusters of nimbuses. Relatoría PARATEXT #43 por Núria Nia (2020)
— Introducción a la leyenda del artista. Journal of Arts and Visual Culture Magazine n.1 (2018) [only in Spanish]
— Greetings to the audience. Catalogue. Programa INICIARTE (2018)
— ¿Estamos solos en el espacio? Regina Pérez Castillo. PAC (2018) [only in Spanish]
— La colección del Sur. CEC (2018)
— Puertas abiertas 2017. Fundación BilbaoArte (2017)
— XIX Mostra d’Art Públic. Universidad de Valencia (2017)
— En proceso. FACBA16. Universidad de Granada (2016) [only in Spanish]
— El recuerdo de una conversación entre Natalia Domínguez y Javier Velasco (2015)
— El ranchito 2014. Matadero Madrid (2015)
— PAM!14. Universidad Politécnica de Valencia (2014)
— La indiferencia estética de lo invisible. Marisol Salanova in Confesiones (Catalogue). Sala d’Arcs. Fundación Chirivella Soriano (2014)
— Si no todas las armas, los cañones. El Ranchito Madrid / Sao Paulo (2014)
— alRaso en Palacio. Sala Condes de Gabia, Universidad de Granada (2014)
— FACBA13. Universidad de Granada (2013)
