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10.10.24 / 9.02.25
TABLAO. Stage of forms in Andalusian contemporary art
An analysis of the contemporary Andalusian artistic panorama with the intervention of site-specific artworks in different spaces of the museum, as well as iconic works by young Andalusian artists from public and private collections.
Opening:
October 10th, 2024 at 19h
CAAC Sevilla (Spain)
+ info
16.07.24
Presentation of the digital project Cómo se condensa el vapor de agua
19h - Fabra i Coats. Barcelona (Spain)
Cómo se condensa el vapor de agua (How does water vapour get condensed) is an interactive sound artwork, comprising eight audio tracks which makes use of the respiratory system to represent the various uses, transformations, and transfers of water vapour within urban and industrial environments. Generating a symbolic relationship between body and machine –in which industry transforms water and steam into resources in a similar way human body does– this project makes use of the voice and the oral transmission of knowledge as poetic and political tools to question the submission relations existing within the urban context and the extractivist narratives produced by the constant transformation of natural resources into quantifiable, productive, and consumable materials.
Cómo se Condensa el Vapor de Agua (2024) is part of Idensitat's programme ART TERRITORI DATA (ATD), a framework for reflection and research about the idea of alternate-territories, in reference to places, media, and the positioning of artistic practice + info
26.06.24 - 03.09.24
Lack of
House of Chappaz. Art Nou Barcelona (Spain)
Air is no longer a transparent, shapeless and natural element of the biosphere, but the result of a series of oppressive and extractive conditions produced by human action. Lack of, Natalia Domínguez's last solo exhibition, brings together a series of sculptures and a sound piece that consider different ways in which bodies relate to the aerial environment.
Visiting hours
Monday to Friday: from 9:00h to 14:00h and 15:00h to 18:00h
+info
15.02 - 16.02.24
Aproximaciones al espacio que nos separa [Approaches to the space in between us]
Workshop with Natalia Domínguez for Territorio Crítico 6, a cycle of professionalisation and outsourcing of artistic production.
Máster Universitario en Arte: Idea y Producción
Universidad de Sevilla (Spain)
15.12.23 - 20.01.24
Una intensa vibración desdibuja sus contornos
An exhibition of Arnau Blanch and Natalia Domínguez curated by Blanca del Río and Mercedes Pimiento.
FASE. L'Hospitalet de Llobregat, Barcelona (Spain)
Read the text of the exhibition here [only in Spanish]
25.11.23 - 02.02.24
Ya no baila la luz en mi sonrisa. Capítulo III: Communio
Ana Mas Projects Gallery
Barcelona, Spain
With works by Lucía C. Pino, Àngels Ribé, Natalia Domínguez, Sofía Montenegro y Paula García-Masedo. +info
10.11.23 - 26.11.23
Nature is ancient, but surprises us all
CENTRUM. Berlin (Germany)
The exhibition Nature Is Ancient, But Surprises Us All (curated by Marenka Krasomil) examines the artistic and everyday treatment of what is commonly conceived as landscape, and delves deeper into it. Landscape as a surrounding space can never be equated with nature; beyond flora and fauna, it always also contains the built and the designed. Its own narratives are formed. Historical processes, climatic, social, political, geographical, and philosophical references are deeply inscribed in it.
Participating artists: Sara Agudo Millán, Natalia Domínguez, Sergio Monje and Barbara Sánchez Barroso.
The exhibition is the result of the SAC International Curatorial Residency Programme, the residency programme of Sant Andreu Contemporani, organised jointly with the Institut Ramon Llull and in collaboration with Fabra i Coats - Fàbrica de Creació de Barcelona, aimed at international curators.
+info
POV: a través de la pared [POV: through the wall]
a sound piece for Cita Previa, and art and contemporary culture podcast run by Pas une Orange and Blueproject Foundation.
En POV: a través de la pared, Natalia Domínguez revisits some of the ideas of her previous work Technoconstructivismo to think, on this occasion, about how sound travels through architectural solids. Moving between ambient, sound mapping, DJing and recital, this podcast questions the sound relations we generate with and through the walls of our contemporary living environments.
06.07.23 - 24.09.23
Quan ja no ens escalfa el sol
La Capella (Barcelona)
Quan ja no ens escalfa el sol (When the Sun No Longer Warms Us) explores how constructivist violence and processes such as gentrification affect our bodies. It is an on-site project, a space for dialogue, a choreography. Gentrification is movement, displacement, an intimate relationship with a space that is breaking down, with a territory. Created from the direct effect of an urban change, the works act to trigger a collective process in which the exhibition becomes an installation, sound and dance, thereby offering other possibilities to tackle a problem in our cities.
An exhibition curated by Zaida Trallero with artworks form Joana Capella Buendia, Aymara Arreaza R, Natalia Domínguez y Georgia Vardarou.
+info
13.05.23 - 15.07.23
Abrir la boca bien grande, cerrar el puño bien fuerte
Fundació Arranz Bravo.
L´Hospitalet de Llobregat (Barcelona).
Visiting hours: From Thursday to Saturday from 17h to 20h. Sunday from 11 to 14h.
27.01.22
PANORAMA #6
Fran Reus Gallery. Palma de Mallorca (Spain)
With artworks from Pau Aguiló, Back, Luca Bosani, Xavi Ceerre, Daniel Dobarco, Natalia Domínguez, Jaime González Palencia, Max Kesteloot, Sandra Mar, Esther Miguel, Francesca Miotto, Elsa Muller, Christina Papaioannou and Los Picoletos.
February - December, 2023
SAC-FiC Programa de Residencias y Stage intensivo 2023
The jury of the SAC-FiC Residency and Intensive Stage Programme 2023 formed by Biel Llinàs (artist), Carolina Ciuti (art curator) and the management team of Sant Andreu Contemporani has awarded the three workshops at Fabra i Coats - Fàbrica de Creació de Barcelona to Natalia Domínguez, Laia Ventayol and Albert Gironés.
06.10 - 09.10.22
SWAB Ephemeral Art Fair
Barcelona
Curated by Caterina Almirall and Margot Cuevas, this programme presents installation proposals by resident artists at the Fàbriques de Creació in Barcelona: Fabra i Coats, Hangar and La Escocesa. The works exhibited in this section play with space and interaction with the visitor.
With the participation of Biel Llinàs, Natalia Domínguez, Paula García-Masedo and Violeta Mayoral.
+ info
10.09 - 23.10.22
¿Existe la montaña? [Does the mountain exist?]
Mèdol - Centre d'Arts Contemporànies de Tarragona (Spain)
In ¿Existe la montaña?, Carlos Aparicio and Natalia Domínguez present a sound piece that sketches a multifaceted portrait of our relationship with the landscape. Through discursive but also sonic processes, such as foley and sample, they have worked on the generation of a ‘scenographic’ landscape, where the limits of the narrator and the ‘storyteller’ are considered as resources through which to propose, finally, fictions.
Thanks to:
Sound co-design and production: Vicente Gadea
Voice: Víctor Ballester
Curated by Quim Torres
Check the flyer and read the curatorial text here [Only in Catalan]
10.08 - 25.09.22
El cuerpo de la montaña
Centro de estudios Lebaniegos
Potes, Cantabria (Spain
With artworks by Carla Souto, Manuel Diego Sánchez, Mercedes Pimiento, Natalia Domínguez & Carlos Aparicio and Cantabria Finita.
Curated by Laura Olea López
Text by Margot Cuevas
14th and 15th 03.22
Auction for Ukraine.
Badr El Jundi Gallery and ARTIZENSE, a communication consultancy specialised in Art and Culture, are joining forces for a good cause: to raise funds for Ukrainian children. Both organisations are closely following the tragic situation in Ukraine and are on the side of those severely affected by this war. For this reason, we propose an auction of works of art, on the 14th and 15th of March, made up of a selection of artists from the gallery and other collaborators whose funds will be donated in their entirety to the Save the Children association.
Participating artists: Iván Forcadell, Matthew Eguavoen, Cecilia Granara, Clara Cebrián, Armando Mesías, Lucía Tello, Paola Angelini, Ella Bril, Nasim Hantehzadeh, Margaux Henry-Thieullent, Alexander James, Jonni Cheatwood, Hannah Knox, Anna Nero, Tosin Kalejaye, Hannah Tilson, Wendy White, María Alcaide, Marilyn Sonneveld, Mercedes Pimiento, Claribel Calderius, Alessandro Fogo, Natalia Domínguez and Armando Mesías, among others.
A project by @badreljundigallery + @artizense____
In collaboration with @artlandapp
All the benefits will be donated to @savethechildren_es
23.02.22 - 27.02.22
ARCO'22 Art Fair
Pabillion 7- Stand 7C27. IFEMA, Madrid (Spain)
The Consejería de Cultura y Patrimonio Histórico de la Junta de Andalucía, through the Agencia Andaluza de Instituciones Culturales, is once again participating in ARCOmadrid22 with the INICIARTE programme.
For this year's stand, the curator Regina Pérez Castillo has selected four artists who have participated in the programme in different calls and are presenting works that were newly produced for the INICIARTE programme. The Andalusian artists selected are Julia Llerena, Fran Pérez Rus, Natalia Domínguez and Victoria Maldonado.
27.01 - 27.02.22
Una forma incontrolable [An uncontrollable shape]
Festival FACBA'22. Instituto de América - Centro Damián Bayón. Santa Fe, Granada (Spain)
Una forma incontrolable is the result of a series of formal and conceptual possibilities that question those materialities whose corporeality is defined by other bodies, other gestures, other forms and other names. Resorting to landscape excuses such as the cloud and the mountain, the works presented free themselves from their references in an attempt to reach a consensus with the intangible, the useless and the need to coexist with realities that we cannot encompass. Because as well as naming, to reify is to want to conquer.
+info
19.02.22. 19h
TECHNOCONSTRUCTIVISMO LIVE_SET.
Hangar. Barcelona (Spain)
Fin de fiesta de Sala d'Art Jove
16.12.21 - 27.01.22
Las ruinas son hoy nuestros jardines
Sala d'Art Jove. Barcelona (Spain)
With artworks by Eladio Aguilera, Natalia Domínguez, Erik Harley, Nil Joan, Sandy Moldavia, Marina Olivares y Marta Velasco Velasco.
Curated by Victor Ramírez Tur y Daniel López del Rincón.
+info
22.10.21 - 12.12.21
Como la vida misma
Blueproject Foundation. Barcelona (Spain)
Starting from the familiar and personal place of an apartment of almost 200 square meters, located on Pintor Fortuny 27, ppal, in the center of Barcelona (above àngels barcelona gallery), the proposal is presented as an attempt to reflect on the space of intimacy proper to the home and the way in which contemporary artworks are presented and stored.
The exhibition brings together the work of twenty artists from the national and international scene: Eladio Aguilera, Francesco Arena, Luis Bisbe, Camila Cañeque, Jorge Diezma, Natalia Domínguez, Anna Dot, Joana Escoval, Fernando García, Paula García-Masedo, Valérian Goalec, Eva & Franco Mattes, Nico Müller, Anna Irina Russell, Gonçalo Sena, M. Reme Silvestre, Paula Valdeón Lemus, Oriol Vilanova and Michele Welke.
Check the curatorial text here
+info
06.10.21 - 22.10.21
Under the ceiling, above the ground
An exhibition in collaboration with Christos Papasotiriou.
Snehta Residency Space. Athens (Greece)
contact: hola@nataliadominguez.com
instagram: @natalia.dmngz
The artistic practice of nataliadomínguez (Jerez de la Frontera, Spain, 1990) makes use of installation, sculpture and sound to delve into the material and affective relations that take place in our contemporary post-industrial landscapes, unravelling systems of meaning and relational networks between the subject and the object.
Her projects think the present as a consequence of a series of oppressive and extractive conditions produced by human action, focusing on the power relations that permeate our bodies.
From a speculative position, her works generate transitory spaces and fluid conditions from which to explore the subtle, contradictory and vulnerable relationships between living and nonliving. In this way, her work explores ways of representation for those physicalities complicated to be contained -whether in physical, conceptual or ontological terms-, while exploring the nature of those objects whose materials are made to last beyond human existence, making evident how our system of life implies the end of life itself.
Check the complete CV here
TEXTS Y CATALOGUES
— Una intensa vibración desdibuja sus contornos. Blanca del Río (2023) [only in Spanish]
— Abrir la boca bien grande, cerrar el puño bien fuerte. Catalogue. Fundación Arranz Bravo (2023)
— Untitled. Sonia Fernández Pan (2023)
— Aigua sobre pols (agua sobre polvo). Caterina Almirall y Margot Cuevas para SWAB Ephemeral (2022)
— LAYERS that with layers, memory, and clusters of nimbuses. Relatoría PARATEXT #43 por Núria Nia (2020)
— Introducción a la leyenda del artista. Journal of Arts and Visual Culture Magazine n.1 (2018) [only in Spanish]
— Greetings to the audience. Catalogue. Programa INICIARTE (2018)
— ¿Estamos solos en el espacio? Regina Pérez Castillo. PAC (2018) [only in Spanish]
— La colección del Sur. CEC (2018)
— Puertas abiertas 2017. Fundación BilbaoArte (2017)
— XIX Mostra d’Art Públic. Universidad de Valencia (2017)
— En proceso. FACBA16. Universidad de Granada (2016) [only in Spanish]
— El recuerdo de una conversación entre Natalia Domínguez y Javier Velasco (2015)
— El ranchito 2014. Matadero Madrid (2015)
— PAM!14. Universidad Politécnica de Valencia (2014)
— La indiferencia estética de lo invisible. Marisol Salanova in Confesiones (Catalogue). Sala d’Arcs. Fundación Chirivella Soriano (2014)
— Si no todas las armas, los cañones. El Ranchito Madrid / Sao Paulo (2014)
— alRaso en Palacio. Sala Condes de Gabia, Universidad de Granada (2014)
— FACBA13. Universidad de Granada (2013)
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2014 |
contact: hola@nataliadominguez.com
instagram: @natalia.dmngz
The artistic practice of nataliadomínguez (Jerez de la Frontera, Spain, 1990) makes use of installation, sculpture and sound to delve into the material and affective relations that take place in our contemporary post-industrial landscapes, unravelling systems of meaning and relational networks between the subject and the object.
Her projects think the present as a consequence of a series of oppressive and extractive conditions produced by human action, focusing on the power relations that permeate our bodies.
From a speculative position, her works generate transitory spaces and fluid conditions from which to explore the subtle, contradictory and vulnerable relationships between living and nonliving. In this way, her work explores ways of representation for those physicalities complicated to be contained -whether in physical, conceptual or ontological terms-, while exploring the nature of those objects whose materials are made to last beyond human existence, making evident how our system of life implies the end of life itself.
Check the complete CV here
TEXTS Y CATALOGUES
— Una intensa vibración desdibuja sus contornos. Blanca del Río (2023) [only in Spanish]
— Abrir la boca bien grande, cerrar el puño bien fuerte. Catalogue. Fundación Arranz Bravo (2023)
— Untitled. Sonia Fernández Pan (2023)
— Aigua sobre pols (agua sobre polvo). Caterina Almirall y Margot Cuevas para SWAB Ephemeral (2022)
— LAYERS that with layers, memory, and clusters of nimbuses. Relatoría PARATEXT #43 por Núria Nia (2020)
— Introducción a la leyenda del artista. Journal of Arts and Visual Culture Magazine n.1 (2018) [only in Spanish]
— Greetings to the audience. Catalogue. Programa INICIARTE (2018)
— ¿Estamos solos en el espacio? Regina Pérez Castillo. PAC (2018) [only in Spanish]
— La colección del Sur. CEC (2018)
— Puertas abiertas 2017. Fundación BilbaoArte (2017)
— XIX Mostra d’Art Públic. Universidad de Valencia (2017)
— En proceso. FACBA16. Universidad de Granada (2016) [only in Spanish]
— El recuerdo de una conversación entre Natalia Domínguez y Javier Velasco (2015)
— El ranchito 2014. Matadero Madrid (2015)
— PAM!14. Universidad Politécnica de Valencia (2014)
— La indiferencia estética de lo invisible. Marisol Salanova in Confesiones (Catalogue). Sala d’Arcs. Fundación Chirivella Soriano (2014)
— Si no todas las armas, los cañones. El Ranchito Madrid / Sao Paulo (2014)
— alRaso en Palacio. Sala Condes de Gabia, Universidad de Granada (2014)
— FACBA13. Universidad de Granada (2013)
10.10.24 / 9.02.25
TABLAO. Stage of forms in Andalusian contemporary art
An analysis of the contemporary Andalusian artistic panorama with the intervention of site-specific artworks in different spaces of the museum, as well as iconic works by young Andalusian artists from public and private collections.
Opening:
October 10th, 2024 at 19h
CAAC Sevilla (Spain)
+ info
16.07.24
Presentation of the digital project Cómo se condensa el vapor de agua
19h - Fabra i Coats. Barcelona (Spain)
Cómo se condensa el vapor de agua (How does water vapour get condensed) is an interactive sound artwork, comprising eight audio tracks which makes use of the respiratory system to represent the various uses, transformations, and transfers of water vapour within urban and industrial environments. Generating a symbolic relationship between body and machine –in which industry transforms water and steam into resources in a similar way human body does– this project makes use of the voice and the oral transmission of knowledge as poetic and political tools to question the submission relations existing within the urban context and the extractivist narratives produced by the constant transformation of natural resources into quantifiable, productive, and consumable materials.
Cómo se Condensa el Vapor de Agua (2024) is part of Idensitat's programme ART TERRITORI DATA (ATD), a framework for reflection and research about the idea of alternate-territories, in reference to places, media, and the positioning of artistic practice + info
26.06.24 - 03.09.24
Lack of
House of Chappaz. Art Nou Barcelona (Spain)
Air is no longer a transparent, shapeless and natural element of the biosphere, but the result of a series of oppressive and extractive conditions produced by human action. Lack of, Natalia Domínguez's last solo exhibition, brings together a series of sculptures and a sound piece that consider different ways in which bodies relate to the aerial environment.
Visiting hours
Monday to Friday: from 9:00h to 14:00h and 15:00h to 18:00h
+info
15.02 - 16.02.24
Aproximaciones al espacio que nos separa [Approaches to the space in between us]
Workshop with Natalia Domínguez for Territorio Crítico 6, a cycle of professionalisation and outsourcing of artistic production.
Máster Universitario en Arte: Idea y Producción
Universidad de Sevilla (Spain)
15.12.23 - 20.01.24
Una intensa vibración desdibuja sus contornos
An exhibition of Arnau Blanch and Natalia Domínguez curated by Blanca del Río and Mercedes Pimiento.
FASE. L'Hospitalet de Llobregat, Barcelona (Spain)
Read the text of the exhibition here [only in Spanish]
25.11.23 - 02.02.24
Ya no baila la luz en mi sonrisa. Capítulo III: Communio
Ana Mas Projects Gallery
Barcelona, Spain
With works by Lucía C. Pino, Àngels Ribé, Natalia Domínguez, Sofía Montenegro y Paula García-Masedo. +info
10.11.23 - 26.11.23
Nature is ancient, but surprises us all
CENTRUM. Berlin (Germany)
The exhibition Nature Is Ancient, But Surprises Us All (curated by Marenka Krasomil) examines the artistic and everyday treatment of what is commonly conceived as landscape, and delves deeper into it. Landscape as a surrounding space can never be equated with nature; beyond flora and fauna, it always also contains the built and the designed. Its own narratives are formed. Historical processes, climatic, social, political, geographical, and philosophical references are deeply inscribed in it.
Participating artists: Sara Agudo Millán, Natalia Domínguez, Sergio Monje and Barbara Sánchez Barroso.
The exhibition is the result of the SAC International Curatorial Residency Programme, the residency programme of Sant Andreu Contemporani, organised jointly with the Institut Ramon Llull and in collaboration with Fabra i Coats - Fàbrica de Creació de Barcelona, aimed at international curators.
+info
POV: a través de la pared [POV: through the wall]
a sound piece for Cita Previa, and art and contemporary culture podcast run by Pas une Orange and Blueproject Foundation.
En POV: a través de la pared, Natalia Domínguez revisits some of the ideas of her previous work Technoconstructivismo to think, on this occasion, about how sound travels through architectural solids. Moving between ambient, sound mapping, DJing and recital, this podcast questions the sound relations we generate with and through the walls of our contemporary living environments.
06.07.23 - 24.09.23
Quan ja no ens escalfa el sol
La Capella (Barcelona)
Quan ja no ens escalfa el sol (When the Sun No Longer Warms Us) explores how constructivist violence and processes such as gentrification affect our bodies. It is an on-site project, a space for dialogue, a choreography. Gentrification is movement, displacement, an intimate relationship with a space that is breaking down, with a territory. Created from the direct effect of an urban change, the works act to trigger a collective process in which the exhibition becomes an installation, sound and dance, thereby offering other possibilities to tackle a problem in our cities.
An exhibition curated by Zaida Trallero with artworks form Joana Capella Buendia, Aymara Arreaza R, Natalia Domínguez y Georgia Vardarou.
+info
13.05.23 - 15.07.23
Abrir la boca bien grande, cerrar el puño bien fuerte
Fundació Arranz Bravo.
L´Hospitalet de Llobregat (Barcelona).
Visiting hours: From Thursday to Saturday from 17h to 20h. Sunday from 11 to 14h.
27.01.22
PANORAMA #6
Fran Reus Gallery. Palma de Mallorca (Spain)
With artworks from Pau Aguiló, Back, Luca Bosani, Xavi Ceerre, Daniel Dobarco, Natalia Domínguez, Jaime González Palencia, Max Kesteloot, Sandra Mar, Esther Miguel, Francesca Miotto, Elsa Muller, Christina Papaioannou and Los Picoletos.
February - December, 2023
SAC-FiC Programa de Residencias y Stage intensivo 2023
The jury of the SAC-FiC Residency and Intensive Stage Programme 2023 formed by Biel Llinàs (artist), Carolina Ciuti (art curator) and the management team of Sant Andreu Contemporani has awarded the three workshops at Fabra i Coats - Fàbrica de Creació de Barcelona to Natalia Domínguez, Laia Ventayol and Albert Gironés.
06.10 - 09.10.22
SWAB Ephemeral Art Fair
Barcelona
Curated by Caterina Almirall and Margot Cuevas, this programme presents installation proposals by resident artists at the Fàbriques de Creació in Barcelona: Fabra i Coats, Hangar and La Escocesa. The works exhibited in this section play with space and interaction with the visitor.
With the participation of Biel Llinàs, Natalia Domínguez, Paula García-Masedo and Violeta Mayoral.
+ info
10.09 - 23.10.22
¿Existe la montaña? [Does the mountain exist?]
Mèdol - Centre d'Arts Contemporànies de Tarragona (Spain)
In ¿Existe la montaña?, Carlos Aparicio and Natalia Domínguez present a sound piece that sketches a multifaceted portrait of our relationship with the landscape. Through discursive but also sonic processes, such as foley and sample, they have worked on the generation of a ‘scenographic’ landscape, where the limits of the narrator and the ‘storyteller’ are considered as resources through which to propose, finally, fictions.
Thanks to:
Sound co-design and production: Vicente Gadea
Voice: Víctor Ballester
Curated by Quim Torres
Check the flyer and read the curatorial text here [Only in Catalan]
10.08 - 25.09.22
El cuerpo de la montaña
Centro de estudios Lebaniegos
Potes, Cantabria (Spain
With artworks by Carla Souto, Manuel Diego Sánchez, Mercedes Pimiento, Natalia Domínguez & Carlos Aparicio and Cantabria Finita.
Curated by Laura Olea López
Text by Margot Cuevas
14th and 15th 03.22
Auction for Ukraine.
Badr El Jundi Gallery and ARTIZENSE, a communication consultancy specialised in Art and Culture, are joining forces for a good cause: to raise funds for Ukrainian children. Both organisations are closely following the tragic situation in Ukraine and are on the side of those severely affected by this war. For this reason, we propose an auction of works of art, on the 14th and 15th of March, made up of a selection of artists from the gallery and other collaborators whose funds will be donated in their entirety to the Save the Children association.
Participating artists: Iván Forcadell, Matthew Eguavoen, Cecilia Granara, Clara Cebrián, Armando Mesías, Lucía Tello, Paola Angelini, Ella Bril, Nasim Hantehzadeh, Margaux Henry-Thieullent, Alexander James, Jonni Cheatwood, Hannah Knox, Anna Nero, Tosin Kalejaye, Hannah Tilson, Wendy White, María Alcaide, Marilyn Sonneveld, Mercedes Pimiento, Claribel Calderius, Alessandro Fogo, Natalia Domínguez and Armando Mesías, among others.
A project by @badreljundigallery + @artizense____
In collaboration with @artlandapp
All the benefits will be donated to @savethechildren_es
23.02.22 - 27.02.22
ARCO'22 Art Fair
Pabillion 7- Stand 7C27. IFEMA, Madrid (Spain)
The Consejería de Cultura y Patrimonio Histórico de la Junta de Andalucía, through the Agencia Andaluza de Instituciones Culturales, is once again participating in ARCOmadrid22 with the INICIARTE programme.
For this year's stand, the curator Regina Pérez Castillo has selected four artists who have participated in the programme in different calls and are presenting works that were newly produced for the INICIARTE programme. The Andalusian artists selected are Julia Llerena, Fran Pérez Rus, Natalia Domínguez and Victoria Maldonado.
27.01 - 27.02.22
Una forma incontrolable [An uncontrollable shape]
Festival FACBA'22. Instituto de América - Centro Damián Bayón. Santa Fe, Granada (Spain)
Una forma incontrolable is the result of a series of formal and conceptual possibilities that question those materialities whose corporeality is defined by other bodies, other gestures, other forms and other names. Resorting to landscape excuses such as the cloud and the mountain, the works presented free themselves from their references in an attempt to reach a consensus with the intangible, the useless and the need to coexist with realities that we cannot encompass. Because as well as naming, to reify is to want to conquer.
+info
19.02.22. 19h
TECHNOCONSTRUCTIVISMO LIVE_SET.
Hangar. Barcelona (Spain)
Fin de fiesta de Sala d'Art Jove
16.12.21 - 27.01.22
Las ruinas son hoy nuestros jardines
Sala d'Art Jove. Barcelona (Spain)
With artworks by Eladio Aguilera, Natalia Domínguez, Erik Harley, Nil Joan, Sandy Moldavia, Marina Olivares y Marta Velasco Velasco.
Curated by Victor Ramírez Tur y Daniel López del Rincón.
+info
22.10.21 - 12.12.21
Como la vida misma
Blueproject Foundation. Barcelona (Spain)
Starting from the familiar and personal place of an apartment of almost 200 square meters, located on Pintor Fortuny 27, ppal, in the center of Barcelona (above àngels barcelona gallery), the proposal is presented as an attempt to reflect on the space of intimacy proper to the home and the way in which contemporary artworks are presented and stored.
The exhibition brings together the work of twenty artists from the national and international scene: Eladio Aguilera, Francesco Arena, Luis Bisbe, Camila Cañeque, Jorge Diezma, Natalia Domínguez, Anna Dot, Joana Escoval, Fernando García, Paula García-Masedo, Valérian Goalec, Eva & Franco Mattes, Nico Müller, Anna Irina Russell, Gonçalo Sena, M. Reme Silvestre, Paula Valdeón Lemus, Oriol Vilanova and Michele Welke.
Check the curatorial text here
+info
06.10.21 - 22.10.21
Under the ceiling, above the ground
An exhibition in collaboration with Christos Papasotiriou.
Snehta Residency Space. Athens (Greece)
